Venetian Plaster

Here are my thoughts on the Venetian plaster.

Venetian plaster is the name for the application of decorative materials described in the tradition of the architect of the Renaissance in Venice, Italy. The technique was created in 1500 as a builder of Venice possibilities that the building has strong and visually appealing, while still light enough to avoid sinking into the mud beneath the city tries hard. As a manufacturer applied layers of plaster, marble masonry load, then polished the surface, was born Stucco Veneziano. The result is permanent walls with built-in color when dry, were hard as stone. This has been manufacturing in Europe until the 19th Century used and has almost lost, until they experienced a revival in the 1960s and 1970s. It is now one of the most prestigious manufacturing, especially for high-end projects.

Venetian plaster is a traditional cement marble powder and slaked lime. The limestone and marble are ground into a fine powder, so that the plaster must be applied with a trowel in thin layers, almost as thin as the ink. This traditional form of plaster on a wall can only be applied plaster or masonry because it requires a porous surface, where it is binding. There are now many modern types of putty on the market, acrylic polymers, and others included in their composition. The new materials allow the plaster sticking primed drywall. The higher the acrylic content is, the more training material and the layers under it needs, but unfortunately the effects of traditional middle are often lost when the patch be used with large amounts of acrylic.

Venetian plaster is a technique to be attempted by the beginner. It requires a careful surface preparation, mastery of specific tools and effective use of the materials. While many may assume that the layers of plaster surface defects are high, would take effect polishing intensive full technical highlights shortcomings, including drops of primer and the trowel marks in the mud. To avoid this, the drywall should be completed Level 5 - plastered with photographs of three layers of clay and a thin layer. The wall should then be primed with a base coat of lime paint or primer, high quality mat.

Venetian plaster require the use of several thin layers of materials; 2-7 is considered to be an insignificant amount. Are with a spatula, the layers of plaster applied first, then polished (polished), dry to the touch with a trowel. With something other than stainless steel tools select the cleaning and tool must be kept smooth and free of dirt. The final thickness of the layers are only about 1/8-inch. Once a layer was created out of plaster on the wall to life, it must be concluded on the same day with a wet edges are to be complied with at all times. Burnishing can be performed to varying degrees, reveals the underlying layers, and adding luster to the surface. Once the layers are completed, the wall has to dry for several days. The surface is then sealed with wax or plastic that is removed, or sealed to dry. This protects the surface from moisture and dirt. Additional effects can be added at this time - colored wax can stencil on the wall, is to produce an effect encrusted, mica powder can be added for a metallic sheen.

The Venetian plaster is a beautiful surface, an area unique and beautiful marble warming of ice and create account. It provides a durable surface that reflects the artist's technique and vision. However, it is both hard work and skill, so it is best for those who have mastered leave training and practice.